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Comments (15)

  • @yass_atif 2025-11-28

    Incredible how craftsmanship and a little bit of technology use can work so well together

  • @chefhill_ 2025-11-27

    Thickness. The density is mostly uniform. Still an amazing technique.

  • @norseberg 2025-11-28

    TechnologiA!

  • @wacktrick 2025-11-28

    How does this affect surface finish? I imagine there are some surprises when the lights come back on?

  • @davebandh 2025-12-02

    Optical transparency is a good guide to profiling the plate, I do same with archtop mandolins but the big assumption is that transparency is uniform across the board for a given thickness. Its still a good guide but I wouldnt slavishly scrape out the black spots without checking with the dial caliper! Optical transparency and density may not always be correlated as pointed out elsewhere. Annoyingly cedar, a tonewood I use quite a lot, is almost opaque at any thickness...

  • @rodolfo.vidal 2025-11-29

    Uau!! Que ideia fantástica!! Faz tempo que existe esse método?

  • @crimsonguitars 2025-12-03

    Now that’s attention to detail, damn!

  • @retrumpet 2025-12-04

    WOw! The Master level 🔥

  • @matthewborgo 2025-12-02

    Not me thinking that was a red hot violin shaped hunk of steel 😂

  • @cremonafineviolin 2025-11-29

    It seems your goal is putting everything to the sam thickness with this method,same light ,same thickness. Is that right?

  • @nickgarrettpowell 2025-12-05

    This is fascinating, thank you

  • @h.issamu 2025-12-04

    Absolutely genius! Are those lights a special kind or a regular one?

  • @gijsdewit1970 2026-01-01

    Great !! What type of lightsource do you use ?

  • @etiennebeaulande 2025-12-24

    I wonder about symmetry here …

  • @catofnineswords 2025-12-14

    Techinologia! How do the finished violins sound, as compared to traditional methods?

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